"Go. Now. Go." The soft muffled bomps of the xylophone, the whisper, the shimmering cymbals – the location sequence that My So-Called Life is familiar to any type of disenchanted teen girl native the mid-’90s. In addition to director Scott Winant, reasonably green composer W.G. Snuffy Walden caught the alienated zeitgeist of ’90s grunge society at the optimal of the show. "The original idea for the layout came out of the opening cue of the pilot once the girls were running roughly the mall," Walden claims on The finish Series DVD. "And there"s also a line i stole from it." That would be Rayanne Graff (A.J. Langer) whispering come her new best friend, Angela follow (Claire Danes). To that he added "more of an electrified teen angst" and also his friend, singer Julian Raymond, who he told just to soar. "To me that lugged the humanness come it," Walden said. "To use just a voice as an instrument that spoke to that youth."

The an outcome is what Dave Holmes at Vulture considers the finest theme song of 1994-1995"s "epic" tv season, which also included hits like Party that Five, Seinfeld, and also ER. "It conveys anticipation, growth, aggression, confusion," that wrote. "If nothing else, it lets you understand you’re about to spend 44 minute watching miscellaneous great." for this reason does the montage the scenes the are reduced to it, culminating in the iconic picture of Angela running down a college hallway right into the light.Winant had worked with the show"s creators, Marshall Herskovitz and Ed Zwick, on their boomer drama thirtysomething (he cut those titles together well) – as had title designer Kathie Broyles – and also it to be MSCL writer Winnie Holzman that insisted he straight the pilot, indigenous which the spliced the intro. "My So-Called Life to be very an individual to me because we shot the series at mine high school, so that was type of surreal," the says. "There were still teachers there that were there as soon as I was in school. It was really type of bizarre."

In a comparable way, a look earlier at the intro to My So-Called Life is like flipping through a music slideshow that your own high institution experience, nevertheless of when you grew up. In particular, that feeling of despair, confusion and elation, occasionally all in ~ once, which was never just a "90s phenomenon and, in fact, develops the tapestry of adulthood and also long together you save watching out for it.

You are watching: My so called life theme song

A discussion with director SCOTT WINANT and also Title Designer KATHIE BROYLES.

How did friend come up with the ide for the main title?

Scott: ns went with a composer, Snuffy Walden, who I hired on thirtysomething, who I found out of thin air. Snuffy and I would certainly collaborate ~ above the music and then I would certainly go in and also use the the cross from what we had. At the time normally all we had actually was the pilot and also I would cut that material against the music.


There were details iconic photos that I wanted to put in the pilot that obviously serviced the key titles too – that type of silhouetted shoot of Claire dance running down the hallway.Then, the course, Winnie composed this tiny thing in ~ the beginning of the pilot that was end black where you can hear A.J. Langer saying, "Go. Now. Go!" I want to placed that at the front of the key title together well.


Scott: What ns was feeling around Angela was that she to be stuck and she was trying to figure out that she was, however she necessary a little push. She needed somebody to provide her a little shove and also that"s what Rayanne did.

Where did the idea for the logo come from?

Kathie: I frequently like to take disparate elements and put castle together, due to the fact that obviously wasn"t a writer. The typewriter typography, it to be so simple, and I make it type of herky jerky "cause she to be vulnerable and also unsure that herself favor most people are at that age.


My So-Called Life logotype design by Kathie Broyles

Kathie: It was such a literate show, the way they spoke was an extremely natural but it was also well assumed out. I provided them various versions the the logo but I knew this one to be it.

The cut in the title space so fluid, they practically naturally circulation into each other. Scott, had you already planned that while directing the pilot?

Scott: My layout of directing is distinctive in a feeling that I prefer to shoot stories in a lyrical fashion wherein scenes and also story operation visually indigenous one facet to another, therefore that element was incorporated into the shoot of the pilot anyway. Over there was constantly a type of matching quality indigenous one step to another.

There is also a good deal of movement, lots of swirling that cameras and characters. Was the to represent her metamorphosis?

Scott: once Claire to be cast, she wasn"t an knowledgeable actress, for this reason she didn"t know just how to fight her mark or was standing still while us were shooting. They wanted me to protect against her native doing that and also I said, "No, ns actually desire to take on this." So us worked roughly Claire.

Television allows us to adapt not just to the story however the gibbs themselves.


Scott:If friend look in ~ that image of she silhouetted in the street with Brian Krakow, under the trees, ns waited to obtain to that moment since I knew Claire would certainly spin on she toes and also spin her purse behind her and it would certainly make a an excellent silhouette. Television allows us to adapt not only to the story yet the actors themselves.

The one slow-mo moment comes in addition to her love interest, Jordan Catalano, played by Jared Leto.

Scott: The whole show is from Angela"s suggest of view and the means we check out the display is the way she watch the world. And when she sees Jordan Catalano the world sort of slow down.

Do you males have any type of favourite location designs best now?

Scott: ns remember once I prospered up the there were key titles that stuck with me greatly I think due to the fact that of the music. I really think Hawaii Five-O and The Wild Wild West had actually these amazing titles.


Hawaii Five-O (1968-1980) season 1 main titles, command byReza S. Badiyi

Kathie: i love Vikings. Ns love Game that Thrones. Love True Detective, I believed that to be brilliant. Those space standouts. I go on art of the Title once I have actually time and I look in ~ what"s out there.


Vikings (2013) season 4 key titles, design by Mill+

Soraya Roberts is the author of In mine Humble Opinion: my So-Called Life (available currently from ECW Press), the very first book devoted to the feminist reverberations of MSCL.

View the credits because that this sequence

Editor: Scott WinantTitle Designer: Kathie Broyles

Music: W.G. Snuffy Walden



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